Koller Margit

szobrok, installációk, videók és fotók

Tag: site-specific

Three Doors – solo show

2018, site-specific installation Projection, metal fabric and spotlight My solo show titled ‘Three Doors’ opened in February, 2018 at the Parthenon Friese Hall, Budapest. I exhibited a site-specific installation: a video projection (with more layers on each other) and a metal fabric installation which are both the original entrance’s copies. This environment is a try

Two-A-Side

From the academic year of 2017/18 I’ve started to teach a course with my supervisor, dr. habil Valéria Sass DLA. It is an interdisciplinary course, opened for most of the departments in the Hungarian University of Fine Arts, where the officially educational system separates the students for traditional, autonomous art departments as Painting, Sculpture, Graphic

I Extinguish my Memories

site-specific videoinstallation, 2016-17 The retention, recollection and reinterpretation of our memories are the cornerstones of how our personalities evolve. Memories help us process our experiences, but if we relive them repeatedly, they lose their force and their significance. The video shows a path I often took as a child, a path down which I walked

Lichthof Symphony No.17

site-specific soundinstallation, 2017 My dada symphony which was exhibited like a sound installation in the rector’s toilet of the Hungarian University of Fine Arts on the occasion of the centenary of Cabaret Voltaire. I was recording the sounds, rumbles and strangers’ dialogues through months in different lichthofs (the tube between the flats in tipical apartment blocks in Budapest)

Weather

site-specific videoinstallation, 2016 I have got a possibility to create a site-specific videoinstallation in Kunsthalle Budapest for a group exhibition, here is the photo documentation. ​Two parallel phenomena appear (looped) in the projected image of the window: the process of dawn and dusk. The two time planes are connected to the very space and view

Without Threshold

site-specific videoinstallation, 2015 mixed technic I made a door to copy its surrounding space and time as my diplomawork. It was located in the middle of a 10 x 10 x 10 meters big studio of the Hungarian University of Fine Arts. The installation had two similar sides half opened. I used the opened parts

Timetrack

soloshow of my site-specific videoinstallations, 2014, Labor Gallery, Budapest I won an opportunity for a solo show in a competition by Labor Gallery, Budapest in 2014. I exhibited some of my former videoinstallations and I made a new directly for this space creating a virtual environment in the empty white-cube. I projected the Times are

Times are Changing in my Window

site-specific videoinstallation, 2013-14 This video is one of my first videoinstallation’s documentation. I was shooting videos for 8 months from a fixed place at my university studio and then cut one video by these recordings with seven different layers. I projected it onto the 7 glazings of the window overlayed by paper then 7 different

Paramnesia – The Oppressiveness of the Irrepeatability of Perfection

The last group exhibition of the 6D group in 2017, Budapest Gallery. „Repetition and recollection are the same movement, except in opposite directions, for what is recollected has been, is repeated backward, whereas genuine repetition is recollected forward. Repetition, therefore, if it is possible, makes a person happy-assuming, of course, that he gives himself time

Accident

This exhibition achieved in a cooperation between the 6D art group and the Omnivore Gallery, Budapest. We were working together with Ágnes Hardi, Loránd Szécsényi-Nagy, Piroska Bibok and Évi Jámbor but there were no separated artwork in the exhibition space. We created in the space a virtual environment which were perceptable only by smartphones. With