Site-specific videoinstallation, 2019, Artus Studio, Budapest.
My diplomawork, called ‘Without Threshold’ was rethinked in a site-specific way to a new exhibition space at Artus Studio, Budapest.
Metal fabric light-installation 2019
I had an exhibition in a cooperation with Ágnes Hardi, sculptor titled Scale, curated by Judit Csanádi, took place at Artus Studio, Budapest. We reflected onto the industrial atmosphere of this ex-factory building’s exhibition space with site-specifis installations, and also made connections between each others’ works. Press: In the frame of the program Switchroom curated by Judit
Tags: digital art | environment | exhibition | industrial | industrial building | installation | installationart | light installation | sculpture | site-specific | site-specific art | video | videoart | videoprojection | vr
2018, site-specific installation Projection, metal fabric and spotlight My solo show titled ‘Three Doors’ opened in February, 2018 at the Parthenon Friese Hall, Budapest. I exhibited a site-specific installation: a video projection (with more layers on each other) and a metal fabric installation which are both the original entrance’s copies. This environment is a try
2018. Installation. Sound, projection, objects How many generations does it take for a person’s memory to fade completely; how long can memory be salvaged through our objects? Mária Wendt obtained her certificate from the Hungarian Royal School of Model Drawing and Teacher Training in 1920. I, as her great-grandchild, earned an MA degree in 2015
From the academic year of 2017/18 I’ve started to teach a course with my supervisor, dr. habil Valéria Sass DLA. It is an interdisciplinary course, opened for most of the departments in the Hungarian University of Fine Arts, where the officially educational system separates the students for traditional, autonomous art departments as Painting, Sculpture, Graphic
ephemeral installation, 2017 The installation contains three salt sculpture: one ear, one eye and one mouth, carved by salt blocks from the salt mine at Paraj. Its additional accessories are three plates with simple water in them. In the exhibition called Salt, at Kunstküche, Labor Gallery, Budapest ( http://artmagazin.hu/artmagazin_hirek/uj_kiallitohely_nyilik_a_laborban_.3798.html?pageid=119 ) I put these three salt sculptures
site-specific videoinstallation, 2016-17 The retention, recollection and reinterpretation of our memories are the cornerstones of how our personalities evolve. Memories help us process our experiences, but if we relive them repeatedly, they lose their force and their significance. The video shows a path I often took as a child, a path down which I walked
site-specific videoinstallation, 2015 mixed technic I made a door to copy its surrounding space and time as my diplomawork. It was located in the middle of a 10 x 10 x 10 meters big studio of the Hungarian University of Fine Arts. The installation had two similar sides half opened. I used the opened parts
videoinstallation, 2014 There is a space somewhere in Budapest, where three doors exist behind each other. I recorded a video here which shows the illusion if the three doors would opened and then closed by themselves in a loop way. I project onto the wall in real size so they open to a virtual dimension
site-specific videoinstallation, 2013-14 This video is one of my first videoinstallation’s documentation. I was shooting videos for 8 months from a fixed place at my university studio and then cut one video by these recordings with seven different layers. I projected it onto the 7 glazings of the window overlayed by paper then 7 different
The last group exhibition of the 6D group in 2017, Budapest Gallery. „Repetition and recollection are the same movement, except in opposite directions, for what is recollected has been, is repeated backward, whereas genuine repetition is recollected forward. Repetition, therefore, if it is possible, makes a person happy-assuming, of course, that he gives himself time