Site-specific videoinstallation, 2019, Artus Studio, Budapest.
My diplomawork, called ‘Without Threshold’ was rethinked in a site-specific way to a new exhibition space at Artus Studio, Budapest.
I had an exhibition in a cooperation with Ágnes Hardi, sculptor titled Scale, curated by Judit Csanádi, took place at Artus Studio, Budapest. We reflected onto the industrial atmosphere of this ex-factory building’s exhibition space with site-specifis installations, and also made connections between each others’ works. Press: In the frame of the program Switchroom curated by Judit
Tags: digital art | environment | exhibition | industrial | industrial building | installation | installationart | light installation | sculpture | site-specific | site-specific art | video | videoart | videoprojection | vr
2018, site-specific installation Projection, metal fabric and spotlight My solo show titled ‘Three Doors’ opened in February, 2018 at the Parthenon Friese Hall, Budapest. I exhibited a site-specific installation: a video projection (with more layers on each other) and a metal fabric installation which are both the original entrance’s copies. This environment is a try
From the academic year of 2017/18 I’ve started to teach a course with my supervisor, dr. habil Valéria Sass DLA. It is an interdisciplinary course, opened for most of the departments in the Hungarian University of Fine Arts, where the officially educational system separates the students for traditional, autonomous art departments as Painting, Sculpture, Graphic
ephemeral installation, 2017 The installation contains three salt sculpture: one ear, one eye and one mouth, carved by salt blocks from the salt mine at Paraj. Its additional accessories are three plates with simple water in them. In the exhibition called Salt, at Kunstküche, Labor Gallery, Budapest ( http://artmagazin.hu/artmagazin_hirek/uj_kiallitohely_nyilik_a_laborban_.3798.html?pageid=119 ) I put these three salt sculptures
site-specific videoinstallation, 2016-17 The retention, recollection and reinterpretation of our memories are the cornerstones of how our personalities evolve. Memories help us process our experiences, but if we relive them repeatedly, they lose their force and their significance. The video shows a path I often took as a child, a path down which I walked
soloshow of my site-specific videoinstallations, 2014, Labor Gallery, Budapest I won an opportunity for a solo show in a competition by Labor Gallery, Budapest in 2014. I exhibited some of my former videoinstallations and I made a new directly for this space creating a virtual environment in the empty white-cube. I projected the Times are
The last group exhibition of the 6D group in 2017, Budapest Gallery. „Repetition and recollection are the same movement, except in opposite directions, for what is recollected has been, is repeated backward, whereas genuine repetition is recollected forward. Repetition, therefore, if it is possible, makes a person happy-assuming, of course, that he gives himself time
This exhibition achieved in a cooperation between the 6D art group and the Omnivore Gallery, Budapest. We were working together with Ágnes Hardi, Loránd Szécsényi-Nagy, Piroska Bibok and Évi Jámbor but there were no separated artwork in the exhibition space. We created in the space a virtual environment which were perceptable only by smartphones. With