CV

I work with varied medium like video installations, videos, sculptures and photography, focusing on the field of big scale installations and environments. The main question of my works is the position and possible attitude of the individual living in a globalised urban space and in a time overcrowded by events. Do we have chance yet for finding ourselves under the blooming of the non-places, on the threshold of environmental catastrophes and the new rise of the populists who create capital by the identity crisis? In my hypothesis, our knowledge and relation to the space and place determines our possible position and relation to the authority which is present in our everyday life’s structures. It is easy to be lost in the labyrinth between the virtual reality (global village) and our direct environment, if we are not sharpening our sense organs for the plastic reality surrounded us, the ability of living the existence, the so called dasein.

Typically I do not create autonomous artworks, but situations: I inhabit given spaces with my site-specific installations and environments, where I create conversation between the space of the artwork and the real space, or the imperial time and the private time. I build human-scale spaces on the border of sculpture and architecture, the reality and virtuality, which contains accurately predicted paths and viewer positions. During a long working process, I manipulate and mix the time and space, which could be sensed in the given position, and then I expand them for a common, virtual field, where the linearity and hierarchy (verticality) could be replaced by a permanent, democratic field (horizontal permanency). Walking through these total installations, the audience must overwrite his routine positions in his environment, must rethink his conventional perceptual schemes – he is the centre. I think it can be an art practice-based weapon against the manipulation of the authority.